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Although he has remained relatively unknown to the writer Ernst Weiss - be (1882 1940) effortlessly valued at the same level as his German contemporaries Franz Kafka, Joseph Roth and Stefan Zweig. moneywise That does not apply to his entire oeuvre alongside highlights as "The eyewitness' and recently published moneywise in the Dutch translation moneywise 'The poor spendthrift', has weaker spots like" Franziska ", a novel that I have read, and that was not easy me but on the other hand was interesting enough because the zeitgeist in Weiss knows beautifully capture or represents literary sense. moneywise Because in the description of the three main characters, their relationships and their characters, the gloom and melancholy to the other novels from the beginning of the twentieth century as features and which naturalism is used. Collective moneywise name as found Frans Coenen and Oudshoorn Netherlands are the most famous representatives of this movement and can not be seen as those writers moneywise who have the pleasant, cheerful moneywise and cozy relax.
What it also applies to Ernst Weiss in this novel that the first is filled with passion, despair, bruised ambitions and especially pathos, in a way that we no longer know in our time when we do make every effort for to the last page the ratio and the cold ambition, but one hundred percent emotion as awkward and irrelevant sweeping aside. Where no question of the three main characters of "Franziska" So. What makes the book immediately dated and the characters in it difficult to fathom. However, the style in which it is written, this book is still closer to our time than the theme and its effects do suggest. For Ernst Weiss does with his way of writing it as modernist, who represented the literary expressionism know that the use of short and little compound moneywise sentences the essential moneywise feature is to tell the story. Most effective moneywise In this he succeeded so well with me because I "Franziska" in almost the same breath uitlas. But a thin story was. Something else I could not make.
This entry was posted in Books and tagged with ambition, The poor spendthrift, the eyewitness, Ernst Weiss, moneywise expressionism, expressionist, Frans Coenen, Franz Kafka, Franziska, protagonists, Joseph Roth, modernist, naturalism, moneywise passion, pathos, ratio, Stafan Zweig , flow of Oudshoorn, essential characteristic. Bookmark the permalink.
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